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Tuesday, May 17 • 10:00am - 11:00am
(Electronic Media) Emulation as a Conservation Strategy for Software-Based Art

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This panel will include case study presentations to discuss emulation as a conservation strategy. We will begin by defining emulation and describing how it works; the resources required to implement emulation; and criteria to determine whether emulation is an appropriate strategy for a given work of software-based art. We will also clarify the similarities and differences between virtualization and emulation in our introduction and in our case studies. The present landscape of emulation technologies and strategies, their costs, barriers to entry, and relative merits will be discussed.

avatar for Ben Fino-Radin

Ben Fino-Radin

Associate Media Conservator, MoMA
Ben Fino-Radin is a museum professional specializing in the preservation of digital contemporary art and cultural heritage. Ben serves as Associate Media Conservator at the Museum of Modern Art, as well as Adjunct Professor in NYU’s Moving Image Archiving and Preservation program... Read More →
avatar for Mark Hellar

Mark Hellar

Arts Professional, Hellar Studios
Mark Hellar is a leading technology consultant for cultural institutions throughout the San Francisco Bay Area and beyond and owner of Hellar Studios LLC. Mark is currently working on new media conservation initiatives at SFMoMA, including the conservation and care of their software-based... Read More →

avatar for Dragan Espenschied

Dragan Espenschied

Digital Conservator, Rhizome
Dragan Espenschied is Rhizome's Digital Conservator. Since 2011, he has been restoring and culturally analyzing 1TB of Geocities data. From 2012-13, he lead on a renowned research project to conceptually and technically integrate the Transmediale Festival's collection of CD-ROM art... Read More →

Tuesday May 17, 2016 10:00am - 11:00am EDT
Room 513 D/F